a story by 'Brod'
- edited (sharpened, BIG cuts, tweaked.. ruined?) by me... Phil -
FOTO FINISHED
When I joined the BBC's videotape department in the late 70s, I was impressed by the diversity of people the job attracted. It was a department of nearly 200, so there was a good chance of finding someone easy to get along with. I quickly made friends with Colin Dunnyman, an extrovert and conversationalist. We could often be found in the tea room chatting, and frequently laughing - about anything, to the amusement of anyone passing through.
At that time the BBC was considered a safe employer so that once you were in, you stayed, possible until retirement. Being a slacker, I could have stayed had it not been for Colin leaving in spring of '84. His wife landed a top job at the British Consulate in Sydney. I was backpacking around Europe at the time so knew nothing about this until I returned to work. Colin left me a 4-page letter and promised to write regularly. This was before low cost phone calls and skype, but true to his word, every month I received an airmail full of his adventures. The move sounded amazing with low house prices and fantastic weather. Colin quickly got a job at ABC television, the Aussie equivalent of the BBC, and said it was as if he had never moved; they used the same gear as the Beeb and he worked the same shift pattern. He ended his letters: '...you must get out here soon.'.
Until after a couple of months when one of his letters ended differently: 'Sharon', (his wife) he wrote, 'wants you out here for Christmas, and won't take NO for an answer!' Normally I would have shrugged this off, but I was beginning to feel a bit unsettled and was determined this time to do something about it. With annual leave all used, I made a bold decision. Not only did I resign the job, but sold the house too. I was going to see a bit of the Southern Hemisphere with no ties, no commitments, no return ticket. Naturally, virtually everyone tried to talk me out of it, which fuelled my resolve: to disappear with no way of ever being contacted again.
I would be working right up to, and including, Christmas Eve. I had a guaranteed finish time so I could fly out that same evening. I wrote to Colin and explained the plan. He was delighted and said it would work well. A traditional Aussie Christmas day with his family, and I would be landing Boxing day to join him and his wife on Bondi beach for a Christmas barbecue.
The big exit day came and I turned up to work at midday with a large backpack. It was precision-packed with every essential. I also carried a Polaroid camera that I came across during my clear-out that still had several unused shots.
Out of the six area managers, the one for Christmas Eve was Dick Fartcock. Cold, uptight and suspicious of anything I was doing, as if he thought I was going to trip him up, Dick sat firmly bottom of the list of preferred options – a sentiment that was widely shared. Christmas Eve was always quiet with just a handful of staff dubbing tapes for next day’s transmissions. Dick had assigned me, as the only Senior present that shift, to the 'important' copying of the Queen’s Christmas message. This was being worked on in an Edit Suite with a roomful of sharp-suited production staff.
I had nothing to do until they finished the edit, so I reiterated to Dick the importance of me getting an 8.30pm Taxi to Heathrow. He said nothing coherent but grunted ''see what happens'', so I disappeared up the bar for better company. Five colleagues, two of whom had forgotten I was leaving, shared rounds while we chatted about my prospective antipodean adventure. Around 6pm, Dick sidled into the bar and said sternly 'the edit is almost finished'. As expected, there were further delays, but I waited close to the Edit Suite for this ultra-precious ten minutes of pap to emerge for dubbing.
Around 8.20pm I saw Dick walking toward me as the Edit Suite doors opened. The finished tape was thrust my way by one of the exhausted staff who murmured: 'now to get the hell out of here'. Dick, noticing the look of impatience on my face, shouted rudely:
'Just get it started, I’ll switch off the area and return to finish it off. Get it rolling and leave, we are the only ones left in the building now and we all want to go home – not just you.'
Without hesitation, I slammed the tape onto the nearest machine and with a blank on its twin plunged them into dubbing mode. With my coat on, I swung my backpack over one shoulder ready to make a run for it. I then spotted my Polaroid camera on the table with one shot remaining. I held it high above my head and took a picture of my face with the dubbing machines in the background. Pulling the last picture from the camera, I shoved it inside a book I was reading 'A Voyage to Arcturus', then ran for the Taxi, depositing the empty camera in the tea room for anyone who fancied it.
The traffic was non-existent and the Greek driver pleasant company. Heathrow at 9pm was a ghost town so check-in and security were relaxed. As I waited in the gate lounge to board, the thought of Fartcock and his petty rules, along with my whole 10 years at the place, seemed to evaporate. Not having the need to ever return, even to the UK, suddenly put my whole life in perspective. Rather than daunting, the thought felt wildly liberating, exciting, a true peak experience.
The Qantas 747 left on time. Looking down at lights on the South Coast I imagined the family arguments and sozzled uncles I’d miss on Christmas day. The plane was about quarter-full. An hour later at thirty-two thousand feet and cruising quietly, dinner was served. I chose for starter a cheese paté with a half bottle of French red. When finished, everyone around me donned eye masks and went to sleep. I remained wide awake exhilarated at the thought of a new phase in my life. I switched on the overhead reading light, reached into my pocket and fished out the Lindsey book and that photo. Less that 4 hours had elapsed, but already it felt like a lifetime ago. I stared at the picture depicting my stressed look in the foreground, brightly lit by the flash, and the two machines dubbing the Queen’s message behind. Then my concentration narrowed and I felt myself go rigid. The photo showed the edited tape on one machine and the blank tape on the other, yet the machine in record was not the one with the blank. I wondered briefly if it was a trick of the light. But no, the record button was clearly glowing red on the wrong machine. In my haste to get things rolling and leave for the Taxi, I had pressed record on the machine with the edited tape. Rather than dubbing what had taken ten hours of hard editing, I was wiping it - the Queen's speech for that year was being erased. Fartcock would have easily taken 10 minutes to turn off the various areas, then retuned to find two blank tapes and nothing to transmit at 3pm tomorrow.
Suddenly my focus switched. Struck by the humour of it, I relaxed and began to laugh. Anyone looking at me after that might have wondered about me with my permanent grin. But I could only think of how, in 20-hours or so, Colin would laugh himself sick - and probably see it as an omen for Aussie turning Republican!
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